Research at universities is political, a fact made all the more evident during times of increasing social and political polarisation when politicians denounce universities as »enemies«. Such external attacks intersect with debates in academia itself, where research structures, purposes, and approaches are increasingly brought into question. The XV International Bauhaus Colloquium critically examines the politics that underlie, shape, or result from research. The interdisciplinary academic event provides a platform for exploring how research operates within and across infrastructures, epistemologies, power, and publics. Research politics manifest both in specific research projects and in the procedures and frameworks that define academic work as such. In addition to issues of access, representation, and ethics, the Colloquium addresses critical practices and highlights the ways in which research may both reinforce and challenge dominant hierarchies.
The fifteenth edition of the International Bauhaus Colloquium moves beyond its traditional focus on architectural theory and history to understand architecture as part of an extended field in which the arts, media, technologies, and society interact. The architectural perspective is integrated into contemporary questions of knowledge production, as well as the infrastructural and political conditions that shape it. As research is transforming rapidly through the effects of digital infrastructures and AI-trained knowledge production, the processes that are shifting its epistemological and institutional frameworks will be examined.
The Colloquium investigates research as a political practice operating in a contested field of historically specific forms of situatedness and shifting epistemologies, with specific attention paid to the role of architectural and artistic practices. In line with the Bauhaus tradition, it combines theoretical, aesthetic, and technical/empirical approaches to analyse and develop research politics in response to urgent questions within international discourse. Discussions are structured into four thematic tracks, each of which offers specific insights into the politics of research:
Track I: Practices examines current approaches to practice-based research, discussing their particularity, their transformative potential, and the capacity to renegotiate the relationship between researchers and society.
Track II: Institutions analyses political, economic, and spatial conditions of knowledge production. It brings together current propositions of institutional critique to examine the boundaries and infrastructures of the university as formations that must be both defended and transformed.
Track III: Ecologies recognises the role of localities and milieus, such as exposed geographies, Indigenous sites and communities, or marginalized cultural topics that become constitutive of research. It explores how proximity to local places and ecologies reshapes conventional research approaches and the ethical shifts they entail.
Track IV: Epistemologies addresses the need to critically engage with and unlearn dominant frameworks, often based on privileged Western paradigms, through decolonial, queer, and feminist practices. It examines how disciplinary traditions, established canons, and knowledge regimes, as well as barriers between theoretical and practical approaches, can be opened up to multiple perspectives.
Keynotes
Samia Henni
Samia Henni is a historian and an exhibition maker of the built, destroyed, and imagined environments. Her work addresses questions of colonization, wars, resource extraction, deserts, forced displacement, and gender dynamics. She is the author of Colonial Toxicity: Rehearsing French Radioactive Architecture in the Sahara (EN, 2024, 2025; FR, 2026) and Architecture of Counterrevolution: The French Army in Northern Algeria (En, 2017, 2022; FR, 2019) and editor of War Zones (2018) and Deserts are not Empty (EN, 2022, 2024, IT, 2024). Performing Colonial Toxicity is her most recent traveling exhibition in collaboration with If I Can’t Dance I Don’t Want to be Part of Your Revolution and Framer Framed in Amsterdam. Currently, she teaches at McGill University’s
Peter Guo-hua Fu School of Architecture and had co-chaired (2020–2025) the University Seminar
„Beyond France“ at Columbia University. Samia received her Ph.D. (with distinction, ETH Medal) in
the history and theory of architecture from the gta Institute, ETH Zurich, Switzerland.
Samia Henni is a historian and an exhibition maker of the built, destroyed, and imagined environments. Her work addresses questions of colonization, wars, resource extraction, deserts, forced displacement, and gender dynamics. She is the author of Colonial Toxicity: Rehearsing French Radioactive Architecture in the Sahara (EN, 2024, 2025; FR, 2026) and Architecture of Counterrevolution: The French Army in Northern Algeria (En, 2017, 2022; FR, 2019) and editor of War Zones (2018) and Deserts are not Empty (EN, 2022, 2024, IT, 2024). Performing Colonial Toxicity is her most recent traveling exhibition in collaboration with If I Can’t Dance I Don’t Want to be Part of Your Revolution and Framer Framed in Amsterdam. Currently, she teaches at McGill University’s
Peter Guo-hua Fu School of Architecture and had co-chaired (2020–2025) the University Seminar
„Beyond France“ at Columbia University. Samia received her Ph.D. (with distinction, ETH Medal) in
the history and theory of architecture from the gta Institute, ETH Zurich, Switzerland.
Matteo Pasquinelli
Matteo Pasquinelli‘s research focuses on the intersection of philosophy of mind and language, political economy, and the techniques of automation such as artificial intelligence. He ist he author of The Eye of the Master: A Social History of Artificial Intelligence (2023) and editor of Alleys of Your Mind: Augmented Intelligence and Its Traumas (2015). Currently, Matteo is Associate Professor in Philosophy of Science at the Department of Philosophy and Cultural Heritage of Ca’ Foscari University in Venice where he is coordinating the ERC project AIMODELS.
Matteo Pasquinelli‘s research focuses on the intersection of philosophy of mind and language, political economy, and the techniques of automation such as artificial intelligence. He ist he author of The Eye of the Master: A Social History of Artificial Intelligence (2023) and editor of Alleys of Your Mind: Augmented Intelligence and Its Traumas (2015). Currently, Matteo is Associate Professor in Philosophy of Science at the Department of Philosophy and Cultural Heritage of Ca’ Foscari University in Venice where he is coordinating the ERC project AIMODELS.
Oleksiy Radynski
Oleksiy Radynski is a filmmaker and writer based in Kyiv. His films experiment with documentary forms and practices of political cinema. They were screened at film festivals and exhibitions worldwide including the Berlinale, International Film Festival Rotterdam and Kurzfilmtage Oberhausen, where he won the Grand Prix in 2023. His texts were published by e-flux journal, The Atlantic and Die Tageszeitung, among other publications. He is a co-founder of the filmmaking collective Kinotron Group.
Oleksiy Radynski is a filmmaker and writer based in Kyiv. His films experiment with documentary forms and practices of political cinema. They were screened at film festivals and exhibitions worldwide including the Berlinale, International Film Festival Rotterdam and Kurzfilmtage Oberhausen, where he won the Grand Prix in 2023. His texts were published by e-flux journal, The Atlantic and Die Tageszeitung, among other publications. He is a co-founder of the filmmaking collective Kinotron Group.
Hito Steyerl
Hito Steyerl is a filmmaker and writer based in Berlin. Her work addresses media, technology, and the global circulation of images through video installations, digital environments, and writing. She is Professor for Emergent Digital Media at Munich Art Academy. Her research platform at AdbK Munich, run with Francis Hunger, is at www.carrier-bag.net. She is represented by Esther Schipper (Berlin) and Andrew Kreps Gallery (New York).
Hito Steyerl is a filmmaker and writer based in Berlin. Her work addresses media, technology, and the global circulation of images through video installations, digital environments, and writing. She is Professor for Emergent Digital Media at Munich Art Academy. Her research platform at AdbK Munich, run with Francis Hunger, is at www.carrier-bag.net. She is represented by Esther Schipper (Berlin) and Andrew Kreps Gallery (New York).
Programme
Please note that the programme is subject to change and may be revised. Check the boxes to create your personal schedule.
►︎ Wednesday, 4 November 2026
Common Grounds / Participatory Performance
‘Common Grounds’ explores strategies for per-sonifying environmental data and listening to the ecologies of our shared planet. Sustained by profound artistic-scientific exchange this multidisciplinary research asks how a long-term collaboration between climate science and sonic arts practices can be translated into public experiences that communicate and offer embodied, sensorial connections to the fragile complexity of planetary systems.
This participatory concert-lecture is a performative exploration of 25 years of hourly environmental data from a permafrost measurement station located in Ny Alesund Svalbard. The highly detailed data set is scaled into an hour, and translated into a participatory concert-lecture. It unpacks and tests some of the methods in development for listening, sensing, understanding and connecting to climate change from an embodied perspective. These include various sonic and somatic techniques that connect the planetary scale with individual and collective sensory scales of participants. The concert-lecture takes place around a table that is a hybrid surface for discourse, projection, policy, strategy, negotiation, communication and communion.
Common Grounds / Panel Discussion
The opening concert-lecture, like the project ‘Common Grounds’ as a whole, raise questions about epistemologies, ethics and politics. Building on this shared experience, we would like to propose an accompanying interdisciplinary panel to discuss artistic and hybrid approaches towards environmental literacy development, such as our sonic-somatic and listening-sensing methods. Key topics and questions may include amongst others: The potential of collective academic research across disciplines and paradigms for developing environmental literacy. Challenges of working long-term across art-science gaps: bridging differences in process, approach, evaluation and ethics. Etc.
Practices
Research practices have always been diverse, even before practice-based research entered the university. Still, claims of epistemic and artistic validity through making, experimentation, and situated collaboration are contested, as are the growing expectations for quick solutions to complex global issues. This track examines current approaches to practice-based research, discussing their particularities, their transformative potential, and their capacity to renegotiate the relationship between researchers and society.
Input 1
Building Knowledge: Design, Experiment, and Engage explores Real-Labs (real-world laboratories) as experimental environments where research, design, construction, and everyday use intersect. Organized by the Chair of Constructive Design and Experimentation at the Bauhaus-Universität Weimar, the panel brings together Sabine Hansmann, Tamotsu Ito, Chrissie Muhr, and João Quintela to discuss how living lab processes create architectural knowledge through experimentation, and learning from practice.
Focusing on adaptive reuse, collaborative construction, and working with existing structures, the conversation examines how these approaches are reshaping architectural education, professional roles, and public engagement. Drawing on projects such as Versuchsgut Dornburg, the panel reflects on both the opportunities and the limitations of Real-Labs, addressing questions of scalability, transferability, and their long-term value in differentsocial and spatial contexts.
Input 2
Building Knowledge: Design, Experiment, and Engage explores Real-Labs (real-world laboratories) as experimental environments where research, design, construction, and everyday use intersect. Organized by the Chair of Constructive Design and Experimentation at the Bauhaus-Universität Weimar, the panel brings together Sabine Hansmann, Tamotsu Ito, Chrissie Muhr, and João Quintela to discuss how living lab processes create architectural knowledge through experimentation, and learning from practice.
Focusing on adaptive reuse, collaborative construction, and working with existing structures, the conversation examines how these approaches are reshaping architectural education, professional roles, and public engagement. Drawing on projects such as Versuchsgut Dornburg, the panel reflects on both the opportunities and the limitations of Real-Labs, addressing questions of scalability, transferability, and their long-term value in differentsocial and spatial contexts.
Input 3
Building Knowledge: Design, Experiment, and Engage explores Real-Labs (real-world laboratories) as experimental environments where research, design, construction, and everyday use intersect. Organized by the Chair of Constructive Design and Experimentation at the Bauhaus-Universität Weimar, the panel brings together Sabine Hansmann, Tamotsu Ito, Chrissie Muhr, and João Quintela to discuss how living lab processes create architectural knowledge through experimentation, and learning from practice.
Focusing on adaptive reuse, collaborative construction, and working with existing structures, the conversation examines how these approaches are reshaping architectural education, professional roles, and public engagement. Drawing on projects such as Versuchsgut Dornburg, the panel reflects on both the opportunities and the limitations of Real-Labs, addressing questions of scalability, transferability, and their long-term value in differentsocial and spatial contexts.
Input 4
Building Knowledge: Design, Experiment, and Engage explores Real-Labs (real-world laboratories) as experimental environments where research, design, construction, and everyday use intersect. Organized by the Chair of Constructive Design and Experimentation at the Bauhaus-Universität Weimar, the panel brings together Sabine Hansmann, Tamotsu Ito, Chrissie Muhr, and João Quintela to discuss how living lab processes create architectural knowledge through experimentation, and learning from practice.
Focusing on adaptive reuse, collaborative construction, and working with existing structures, the conversation examines how these approaches are reshaping architectural education, professional roles, and public engagement. Drawing on projects such as Versuchsgut Dornburg, the panel reflects on both the opportunities and the limitations of Real-Labs, addressing questions of scalability, transferability, and their long-term value in differentsocial and spatial contexts.
Institutions
The university remains a precarious yet vital site for the (re)production, discussion, and transmission of knowledge. While grounded in claims to universality, it is still shaped by differences, inequalities, and power relations that regulate access and participation. At the same time, academic freedoms – political as well as economic – are under attack. This track brings together current propositions of institutional critique to examine the boundaries and infrastructures of the university as formations that must be both defended and transformed.
Ecologies
Proximity to local places and ecologies reshapes conventional research approaches and the ethical shifts they entail. Localities and situated contexts, such as exposed geographies, Indigenous sites and communities, or marginalized cultural topics become constitutive of research. A key question within the Ecologies track is how topical forms of knowledge that emerge outside of academia are transformed when they enter the university.
Kandinsky. One Century of Ignorance
Wassily Kandinsky (1866–1944) apparently counts among the well-researched Bauhäus¬lers. The 1923 questionnaire inquiring the mutual assignment of basic shapes and basic colours is his most famous contribution to the Bauhaus’s signature. This assignment is nowadays probably more effective than ever before. Regrettably, it was everything but a Bauhaus achievement, which seems to be widely unknown among Bauhaus scholars, due to reasons of language difficulties and accessibility, but also the traditions of Bauhaus historiography and institutional biases.
My contribution is an invitation to leave aside all limitations imposed by acquired ideologies and professional education, to surmount language difficulties and disciplinary boundaries in favour of a really interdisciplinary and unbiased research that is capable of doing justice to its subject. Such research will yield new and important insights into all those matters that before appeared to have been definitely investigated.
“Most Bauhäuslers are…completely intolerant of social injustice, political chicanery, and charlatanism” Reginald Isaacs and his research on the Bauhaus in the 1960s
If the Bauhaus legacy is to inspire transformative research, it is important to examine how scholarship itself contributed to the movement’s elevation. A key moment was the 1968 exhibition 50 Years of Bauhaus in Stuttgart, which presented the Bauhaus as a democratic symbol of the Federal Republic of Germany while largely overlooking its entanglement with the Nazi era.
The paper focuses on an essay by architect Reginald Isaacs, who was then researching a biography of Walter Gropius. Drawing on a survey of former Bauhaus members, Isaacs portrayed them as a morally and politically exemplary community, thereby idealising both the individuals and the institution. What objectives shaped his research? The contribution asks how such narratives can be critically reassessed while taking into account questions of gender, marginalisation, aesthetics, and political history.
Epistemologies
Research paradigms and practices operate as distinct cultural systems defined by their languages, norms, and premises, shaping what counts as valid knowledge. The Epistemologies track addresses the need to critically engage with and unlearn dominant frameworks, often based on privileged Western paradigms, through decolonial, queer, and feminist practices. It examines how disciplinary traditions, established canons, and knowledge regimes, as well as barriers between theoretical and practical approaches, can be opened up to multiple perspectives.
Piaopiao[飘飘] as Method: Dialect (as) Archive and Wandering through Teahouse
The Sichuanese dialect term piaopiao [飘飘] emerged in the 1990s as a vernacular expression for wandering lives. Derived from the verb piao (“to float”), it came to describe those living outside patriarchal, reproduction-oriented family structures and served as an alias through which homosexual men recognised one another in Sichuan’s teahouses. Embedded in spoken language rather than institutional archives, piaopiao condenses histories of sexual dissidence and spatial fugitivity into a single dialect term. This paper develops piaopiao as a research method for architectural history and theory. It argues that the Sichuanese teahouse is not merely a backdrop for piaopiao sociality but a porous care infrastructure organised through passage, co-presence, and hospitality. Reading the teahouse’s permeability through piaopiao thus repositions dialect as a living archive of spatial knowledge and offers a situated account of how architecture mediates gender and sexual dissidence.
Neutrality, Masking, and the Politics of Research: A Reflection on Disciplinary Pressure in Conceptual Work on Autism
This presentation asks how research identity becomes credible within contested fields. Beginning from autism discourse, where terms such as “autistic person,” “person with autism,” “neurodivergent,” and “profound autism” are politically charged, I examine masking as both a lived practice and an unstable research concept. I argue that research cultures also produce masks: forms of scholarly personhood through which researchers become legible as neutral, rigorous, accessible, activist, or professional. Drawing on conceptual engineering, epistemic injustice, and Bauhaus questions of form and function, the talk asks how scholarly forms regulate proximity and distance, visibility and access, and what they enable or exclude. Concepts do not only classify research objects; they also authorise speakers, positions, and distances. The politics of research therefore includes the conditions under which scholarly roles become available, credible, and liveable.
For More Stupidity in Research: Dwelling in the Politics of Research Time
Contemporary research is shaped by demands for measurable impact, acceleration, and constant performance. This paper treats research time itself as a political problem. Drawing on Jacques Rancière’s critique of the explicatory order and Giorgio Agamben’s notion of messianic time, I propose research-as-dwelling: a form of inquiry that suspends predefined ends and inhabits an unfinished present.
Following Tyson E. Lewis, I call the mode of this dwelling “stupidity.” Here, stupidity does not mean anti-intellectualism, but the capacity to stay with not-knowing, hesitation, and impotence without immediately converting them into output. Through a temporal reading of Hedwig Houben’s lecture performance Five Possible Lectures on Six Possibilities for a Sculpture, the paper argues for a politics of research centered on study, suspension, and unfinishedness.
Practices
Research practices have always been diverse, even before practice-based research entered the university. Still, claims of epistemic and artistic validity through making, experimentation, and situated collaboration are contested, as are the growing expectations for quick solutions to complex global issues. This track examines current approaches to practice-based research, discussing their particularities, their transformative potential, and their capacity to renegotiate the relationship between researchers and society.
Institutions
The university remains a precarious yet vital site for the (re)production, discussion, and transmission of knowledge. While grounded in claims to universality, it is still shaped by differences, inequalities, and power relations that regulate access and participation. At the same time, academic freedoms – political as well as economic – are under attack. This track brings together current propositions of institutional critique to examine the boundaries and infrastructures of the university as formations that must be both defended and transformed.
Housing Music Volume 2: A Mixtape Methodology
Through spoken word, moving collages and vinyl records this performance lecture will describe how Black and South Asian diasporas have made spaces, objects and broadcasting infrastructures within the sonic cultures of reggae, dub, bhangra, jungle and grime. In the UK and beyond, these sonic cultures have not only remapped geographies but have been inscribed into landscapes as a form of spatial, aural, material, and embodied evidence. As these inscriptions have been largely ignored by the field of design and architecture, to uncover this history requires alternative modes and cultures of researching, archiving and mediating.
Over the last years, I have been searching for these inscriptions by ‘digging in the crates’ of historical radio, TV, documentary interviews and vinyl records that sit outside of conventional design and architecture scholarship. Once inscriptions are edited, sampled and mixtaped, they begin to build a counter archive of design experience and knowledge for other voices and perspectives within the canon of design history.
Housing Music Volume 2 will focus on and depart from the home and house as a site of Black and South Asian creativity.
Ecologies
Proximity to local places and ecologies reshapes conventional research approaches and the ethical shifts they entail. Localities and situated contexts, such as exposed geographies, Indigenous sites and communities, or marginalized cultural topics become constitutive of research. A key question within the Ecologies track is how topical forms of knowledge that emerge outside of academia are transformed when they enter the university.
Epistemologies
Research paradigms and practices operate as distinct cultural systems defined by their languages, norms, and premises, shaping what counts as valid knowledge. The Epistemologies track addresses the need to critically engage with and unlearn dominant frameworks, often based on privileged Western paradigms, through decolonial, queer, and feminist practices. It examines how disciplinary traditions, established canons, and knowledge regimes, as well as barriers between theoretical and practical approaches, can be opened up to multiple perspectives.
►︎ Thursday, 5 November 2026
Practices
Research practices have always been diverse, even before practice-based research entered the university. Still, claims of epistemic and artistic validity through making, experimentation, and situated collaboration are contested, as are the growing expectations for quick solutions to complex global issues. This track examines current approaches to practice-based research, discussing their particularities, their transformative potential, and their capacity to renegotiate the relationship between researchers and society.
Drawing as a Research Methodology: Spatial Productions in the Context of Sex Work on Potsdamer Straße in West Berlin
Focusing on various case studies situated around Potsdamer Straße in West Berlin, my contribution examines how drawings can function as a research method in architecture. Around 1970, Potsdamer Straße was known for its sex workers, who worked throughout the day, waiting for clients in front of the many bars, hotels, and clubs lining the street. In this setting, I investigate how sex workers and other actors in the red-light district produced, appropriated, and defended urban spaces – and how the state and civil society responded through strategies of control, welfare, and displacement. For each of my ten case studies, I created speculative colored-pencil drawings based on building records, interviews, photographs, and maps. The contribution argues that drawings can generate and question knowledge, making counter-/architectures of sex work visible.
Re-enchanting technical representations. Matter entanglements revealing the invisibilizing power of the cross-section
Today, images shape knowledge as much as they convey state priorities and geopolitical forces. We examine encoded representations as modern instruments of (supra-)nation-forming political projects, focusing on the politics embedded in architectural and geological representations and the material and (un)worlding consequences they produce.
Analysing the cross-section as a tool of both abstraction and extraction, we show how mapping conventions are interwoven with logics of profit and exploitation. Spanning the strata of the walls of a colonial, fascist borgo in Sicily (IT) and the subsurface post-coal Campine landscape (BE), we argue that the standard grammar of these technical representations neutralises the imaginaries of an authoritarian project and an extractive fossil fuel regime. To render this invisibility visible, we propose re-enchanting the cross-sections, reintegrating neglected histories to suggest ways to interfere with dominant visualisations.
Abstract to be announced.
Institutions
The university remains a precarious yet vital site for the (re)production, discussion, and transmission of knowledge. While grounded in claims to universality, it is still shaped by differences, inequalities, and power relations that regulate access and participation. At the same time, academic freedoms – political as well as economic – are under attack. This track brings together current propositions of institutional critique to examine the boundaries and infrastructures of the university as formations that must be both defended and transformed.
Knowledge Policies in the Arts- The Institutionalization of Artistic Research in German-Speaking Countries
Abstract to be announced.
Ghost researchers, governance, and diversion at the intersection of science and art
This paper examines how governance practices within Mexico’s SECIHTI have restructured the relationship between scientific research, cultural policy, and institutional ethics. Three documented cases expose the material consequences of opacity and discretionary spending in state-funded cultural infrastructure. The Museo de la Luz in Merida reveals financial irregularities exceeding thirty million pesos, leading to the termination of its collaborative agreement with UNAM. The Centro Kalan in Mexico City, a multimillion-peso cultural complex, remains inaccessible to the public while official cost figures are inconsistent and allegations of nepotism in artwork commissions persist. A third case involves the private studio of artist Jimena Garcia Alvarez Buylla, whose architectural firm subsequently received the Kalan contract without open bidding, raising unresolved conflicts of interest. Against this backdrop, the author theorizes artist-researchers as structural ghosts: subjects made legible only through rankings and grant metrics, while precarious institutional conditions neutralize critical capacity. Research, the paper concludes, is never neutral; it is shaped by incentive structures that can serve democratic accountability or consolidate power.
Ecologies
Proximity to local places and ecologies reshapes conventional research approaches and the ethical shifts they entail. Localities and situated contexts, such as exposed geographies, Indigenous sites and communities, or marginalized cultural topics become constitutive of research. A key question within the Ecologies track is how topical forms of knowledge that emerge outside of academia are transformed when they enter the university.
The Humboldt Forum as a Colonial Thought Space
This paper proposes walking through Berlin’s Humboldt Forum not as a restored museum, but as a machinery of thought and participation: a Colonial Thought-Space that, through its architecture, organises what counts as civilised and historical, relegating represented communities to the condition of „objects of study.“ Drawing on the Warburgian concept of Denkraum, it examines how the baroque façade of the reconstructed Royal Palace (2013–2025) — with its golden cross and imperial sculptures — functions as a spatial system of coordinates that, together with the still-visible racial hierarchy of Adolf Bastian, founder of the Ethnological Museum, weaves together imperial nostalgia and colonial plunder as science and common sense: a space that turns the chaos of colonial violence into a rational place and silently justifies dispossession to secure the future of the collections. How does a colonial thinking take shape that renders imperial nostalgia rational and presents plunder as prudent and scientific?
The Politics of Proximity: Architectural Research on the “Tropics” in the GDR and the Scientific Department of Building in the Tropics and Abroad in Weimar
This paper examines the Scientific Department of Building in the Tropics and Abroad (WB TAB), founded in Weimar in 1985, as a site of architectural knowledge production in the late GDR. Drawing on archival sources and interviews, it explores how research on the “tropics” was shaped by socialist internationalism, political alliances, and limited mobility. Using Cuba as its main case study, it argues that the tropics served less as a geographical category than as a political framework through which selected socialist and anti-imperialist partner countries became objects of research, training, and international engagement.
Forging Modernity Otherwise: When a Metalworking Company in Medellín Contradicts the Global History of Design
Forging Modernity Otherwise examines ElOspina, a Colombian metalworking company active during the first half of the twentieth century, to explore how alternative histories of modern design emerge from fragmented archives. Drawing on catalogues, photographs, surviving furniture, business records, and family memories, the paper treats archival discontinuity not as a limitation but as a productive method of inquiry. The study follows the trajectory of ElOspina’s metal furniture from its industrial origins to its later reappropriation by artists, revealing a historical tension between utility and the production of meaning. By tracing the movement of objects from foundry to home, archive, and artistic practice, the paper challenges universal narratives of design history and argues for a more plural understanding of modernity, knowledge production, and material culture in Latin America.
Against Onenism, and the Coloniality of Knowledge Production
I call “Onenism” the Western ideology aimed at ordering the world—and life—in terms of a single principle—theological, enlightened, or post-enlightened—which posits one-archical ordering principle—god, king, reason, truth, law, etc. Such ideology was structural to the colonization of the Americas, and today structures the coloniality of knowledge. One area where the university’s drive for onenism goes still unnoticed is methodological design and research pragmatics. Indeed, in this paper, I aim to discuss the research (un)methodological design I am carrying out in Peru concerning mestizaje, fusion, and the emergence of what is called New Andean Pop. Specifically, I will address the distinction that Latinx academics in the United States have been making between “fieldwork”—emphasizing its colonial connotations—and “homework,” which refers to our being part of the communities we study, our purported “objects of study.”
Epistemologies
Research paradigms and practices operate as distinct cultural systems defined by their languages, norms, and premises, shaping what counts as valid knowledge. The Epistemologies track addresses the need to critically engage with and unlearn dominant frameworks, often based on privileged Western paradigms, through decolonial, queer, and feminist practices. It examines how disciplinary traditions, established canons, and knowledge regimes, as well as barriers between theoretical and practical approaches, can be opened up to multiple perspectives.
Becoming Cyborg: Care, Artistic Research, and the Politics of Motherhood as Performance
„Becoming Cyborg“ is a lecture performance developed from the artistic PhD The Other|Mother. Everyday Care as a Performative Practice of Troubling that explores motherhood, care, and artistic research as embodied, relational, and politically situated practices. It asks how performance can reframe care, dependency, and exhaustion as epistemic forces. Through the figure of the M:Other – a hybrid of mother, other, and cyborg – it proposes feminist strategies of survival under conditions of structural overload. Within the performance, the physical components of the dissertation are activated as performative objects. Combining text, action, sound, and scores, the work reframes research as a material, affective, and collective practice. By foregrounding embodied knowledge and the politics of research formats, „Becoming Cyborg“ advocates transformative modes of knowledge production.
Praxis, Positionality, & Ways of Knowing
This paper examines canon and heritage through visual ethnography, pedagogical praxis, and design fiction, asking: how do my educational roots inform my design-educator positionality? Raised homeschooled on experiential learning, Bauhaus principles felt natural[ized]. Universal languages of form/function resonated with my prior knowledge systems. I explore this multivalent heritage in process-based experiments. Teaching design history, I root students in pluralistic, global references. We ask: how do humans make sense through designed systems and artifacts? Students contribute primary research to a public archive, investigating their own culture—or respectfully exploring others‘. This collective work is radical, politically and disciplinarily. How might we imagine a future where knowledge, archives, and historical narratives are credible, accessible, and pluriversal? Drawing on my positional context and the radical archiving work I do with students, I hypothesize such a future.
Practices
Research practices have always been diverse, even before practice-based research entered the university. Still, claims of epistemic and artistic validity through making, experimentation, and situated collaboration are contested, as are the growing expectations for quick solutions to complex global issues. This track examines current approaches to practice-based research, discussing their particularities, their transformative potential, and their capacity to renegotiate the relationship between researchers and society.
Institutions
The university remains a precarious yet vital site for the (re)production, discussion, and transmission of knowledge. While grounded in claims to universality, it is still shaped by differences, inequalities, and power relations that regulate access and participation. At the same time, academic freedoms – political as well as economic – are under attack. This track brings together current propositions of institutional critique to examine the boundaries and infrastructures of the university as formations that must be both defended and transformed.
Ecologies
Proximity to local places and ecologies reshapes conventional research approaches and the ethical shifts they entail. Localities and situated contexts, such as exposed geographies, Indigenous sites and communities, or marginalized cultural topics become constitutive of research. A key question within the Ecologies track is how topical forms of knowledge that emerge outside of academia are transformed when they enter the university.
Epistemologies
Research paradigms and practices operate as distinct cultural systems defined by their languages, norms, and premises, shaping what counts as valid knowledge. The Epistemologies track addresses the need to critically engage with and unlearn dominant frameworks, often based on privileged Western paradigms, through decolonial, queer, and feminist practices. It examines how disciplinary traditions, established canons, and knowledge regimes, as well as barriers between theoretical and practical approaches, can be opened up to multiple perspectives.
Practices
Research practices have always been diverse, even before practice-based research entered the university. Still, claims of epistemic and artistic validity through making, experimentation, and situated collaboration are contested, as are the growing expectations for quick solutions to complex global issues. This track examines current approaches to practice-based research, discussing their particularities, their transformative potential, and their capacity to renegotiate the relationship between researchers and society.
The Ghosts of MRI: On the Political Economy of Neuroscientific Research
This paper begins with my participation in a colour-perception experiment inside an MRI scanner at Charité, Berlin. While I was personally motivated by 25 cents per correct answer, I was assured economic factors should be neglected. This denial frames the paper’s central questions around the politics of empirical research and the production of aesthetic subjectivity.
By reducing one’s reaction to a pure stimulus (Reiz), the experiment recasts subjective responses into a generalised subject, while erasing the economic conditions of its own measurement. Theodor Adorno, who developed his own anti-positivist but still naturalist aesthetics, insisted on necessity of empirical investigation for perceptible phenomena, while rejecting any identity between stimulus (Reiz) and response. Building on his critique of behaviourist conditioning and the role of cultural mediation, I would offer a dialectical reading of neurovisual research.
Seeing Otherwise: RNA Microscopy and the Politics of Research Cultures
This paper repositions RNA microscopy as a site of design-led knowledge production, examining how imaging ideologies shape evidence and identity within artistic research. Based on collaborations between NTU’s School of Art, Design and Media and the DaRE Lab, the project treats microscopic images as both roots—technical inscriptions of the unseen—and routes for speculative visual languages. Through workshops and practice-led visualisation, the research asks how imaging systems govern scientific aesthetics, how “inside-out” images redistribute agency, and which formats best translate lab data into public artefacts. Methodologically, the project evolves in two phases: Roots introduces microscopy and critical image literacy; Routes transforms datasets into narrative and speculative visualisations. The paper argues that RNA imaging, when approached through design, exposes their socio-cultural dimensions: proximities between molecular events and public perception; control in biomedical imagery circulation; and cultures of research redistributing authorship. It proposes an “aesthetics of accountability,” where the making of images becomes a way to account for the claims and responsibilities of RNA research.
Visio Cordis
Visio Cordis is a 20-minute moving-image portrait of research—of the heart as a physical organ, and of the metaphors through which we navigate its emotional and cultural meanings. Rooted in an investigation of Takotsubo cardiomyopathy, also known as broken-heart syndrome, the project explores how medical imaging, affect, and machine vision co-produce contemporary understandings of the heart. It foregrounds the image as neither neutral nor self-evident, but as an aesthetic, ethical, and political construct that shapes research practice. As an audio-visual essay, Visio Cordis approaches research as a poetic and critical method, insisting on the uncertainty of looking in a world increasingly governed by automated sight.
Institutions
The university remains a precarious yet vital site for the (re)production, discussion, and transmission of knowledge. While grounded in claims to universality, it is still shaped by differences, inequalities, and power relations that regulate access and participation. At the same time, academic freedoms – political as well as economic – are under attack. This track brings together current propositions of institutional critique to examine the boundaries and infrastructures of the university as formations that must be both defended and transformed.
Ecologies
Proximity to local places and ecologies reshapes conventional research approaches and the ethical shifts they entail. Localities and situated contexts, such as exposed geographies, Indigenous sites and communities, or marginalized cultural topics become constitutive of research. A key question within the Ecologies track is how topical forms of knowledge that emerge outside of academia are transformed when they enter the university.
World Building Beyond the Nation State: Diaspora as Science Fiction
This project examines the development of Diaspora Aesthetics, a newly established field at the Academy of Fine Arts Vienna, within a political climate shaped by rising right-wing populism, authoritarianism, and post-truth discourse. While Austria’s history and present are marked by cultural, linguistic, and ethnic diversity, contemporary nationalist narratives increasingly construct the nation as a homogeneous community rooted in exclusionary notions of identity. In response, the project proposes a methodology that understands diaspora not only as a historical and sociopolitical condition but also as a speculative framework aligned with the logic of science fiction. Diasporic experience—characterized by displacement, temporal rupture, hybridity, and the negotiation of multiple realities—shares key features with science fiction’s modes of imagining alternative worlds and futures. Reading diaspora through science fiction foregrounds the creative and critical world-building practices of dispersed communities, offering strategies to resist authoritarian constructions of identity, challenge manipulated notions of truth, and envision forms of belonging beyond the constraints of the nation-state.
Mai Ling’s Accented Anonymous Collectivity as Diasporic Methodology
This contribution takes as a case study the Vienna-based, anonymous artist collective Mai Ling’s online protest Not Funny! (2020), which responded to the racist parody of a Chinese correspondent during Covid-19 aired on the late-night show Gute Nacht Österreich. By focusing on the aesthetics of the ‘accented anonymous collectivity,’ the contribution will examine how the collective deconstructs the notion of ‘Asianness’ and bypasses racial taxonomy without losing multiplicity. Speaking with an accent is one of the most racially charged experiences for a diasporic subject. Yet, unlike a static identity marker, an accent “doesn’t say anything precise about the speaker’s social location or locution.” Thus, speaking with an accent resists simple labeling and stereotyping. This contribution will highlight how Mai Ling expands on the methodological potency of accents by amplifying its liminality and staged conflation by voicing collectively and anonymously.
Epistemologies
Research paradigms and practices operate as distinct cultural systems defined by their languages, norms, and premises, shaping what counts as valid knowledge. The Epistemologies track addresses the need to critically engage with and unlearn dominant frameworks, often based on privileged Western paradigms, through decolonial, queer, and feminist practices. It examines how disciplinary traditions, established canons, and knowledge regimes, as well as barriers between theoretical and practical approaches, can be opened up to multiple perspectives.
Between the (Scientific) Model and the Precedent: Research in architecture under the pressure of the “scientific pragmatics”
What does it mean for architecture to be scientific? The discipline’s relationship to science—its desire to adopt scientific rigor—can be traced back to the Enlightenment. An early example of such aspiration is Claude Perrault’s distinction between natural and arbitrary beauty. The former arises from an “apparent […] balanced correspondence of size, number, disposition, and order,” while the latter is deemed agreeable “merely by custom.” For Perrault, natural beauty aligns with a scientific model, whereas customary beauty rests on historical precedent. Colin Rowe was perhaps the last major figure to adopt such methodological distinction in the study and analysis of architecture, until the linguistic and cybernetic, and – later – the digital turn(s) did away with the customary (or attempted to do so). Scientific pragmatics have sought to subsume precedent under the authority of the scientific model, with artificial intelligence standing as the apotheotic example of this ambition. Can architecture truly dispense with the customary, with precedent, and if not, as this paper argues, why? To claim that architecture is scientific is, paradoxically, to demonstrate the impossibility of architecture ever being fully scientific.
►︎ Friday, 6 November 2026
Practices
Research practices have always been diverse, even before practice-based research entered the university. Still, claims of epistemic and artistic validity through making, experimentation, and situated collaboration are contested, as are the growing expectations for quick solutions to complex global issues. This track examines current approaches to practice-based research, discussing their particularities, their transformative potential, and their capacity to renegotiate the relationship between researchers and society.
Research as Encounter: How Bodies Negotiate Influence
Performers negotiate what is allowed to influence them in a live situation. Somatic consent operates as the ongoing decision of what to admit or refuse from a space, partner, object, audience, or task. Treated as an epistemic procedure, it generates knowledge through the body being altered by an encounter. Attunement names this capacity: remaining open to the present without losing structural coherence.
Within practice-as-research contexts, institutional pressures to produce legible outcomes train the opposite habit. Pre-emptive stabilisation locks timing, geometry, and relational settings in advance, foreclosing what the live event can propose.
Studio journals and rehearsal protocols reveal three recurring patterns through which performers refuse influence: clinging to a prior image of themselves displacing the one the situation produces; subordinating the live encounter to a predetermined compositional frame; and correcting a somatic consequence before it has time to register as information. Somatic consent functions as a diagnostic tool for locating these refusals and redesigning the conditions that generate them.
The Biennial of Care: Politics of Aftercare in Project-Based Artistic Practice
The “Biennial of Care” is an arts-based action research process. We contribute to the current debate on “hidden costs of care” and the “careful turn” in socially engaged art. While cultural events like biennials and festivals often feature process-based socially engaged work within local communities, they usually operate on a project-based framework with defined goals and a definite end. Support structures end while vulnerabilities, needs, and expectations in social environments persist. In Chemnitz, we currently investigate the effects of the European Capital of Culture on the local creative scene and on the public that became actively involved. We close a gap, refocusing the discourse and the framework of evaluation from “legacy” to “care” in the aftermath of large events. The Biennial of Care is conceived as an evolving methodology over the longer term. We create a “Mobile Care Unit” as an archive and toolbox, designed to travel across different large-scale cultural events.
Institutions
The university remains a precarious yet vital site for the (re)production, discussion, and transmission of knowledge. While grounded in claims to universality, it is still shaped by differences, inequalities, and power relations that regulate access and participation. At the same time, academic freedoms – political as well as economic – are under attack. This track brings together current propositions of institutional critique to examine the boundaries and infrastructures of the university as formations that must be both defended and transformed.
Input 1
Uncertainty forms the core of research, as venturing into the unknown involves unpredictability and potential failure, aggravated by funding, erratic scientific agenda-setting, and broader political contexts. While research always entails maneuvering within heightened uncertainty, the panel examines the particularities of researching authoritarian contexts. Notwithstanding differences between authoritarian settings, they share traits making research unpredictable, ranging from difficulties building trust and lack of data to ethical dilemmas balancing field access against risks for participants or oneself. The panel offers a platform for exchanging experiences on navigating research under such conditions.
Drawing on Hungary, Russia, Georgia, and Serbia, we highlight specific uncertainties to deepen understanding and exchange strategies. Since most panelists research from the outside, we also critically reflect on our positionality and responsibilities as researchers.
Input 2
Uncertainty forms the core of research, as venturing into the unknown involves unpredictability and potential failure, aggravated by funding, erratic scientific agenda-setting, and broader political contexts. While research always entails maneuvering within heightened uncertainty, the panel examines the particularities of researching authoritarian contexts. Notwithstanding differences between authoritarian settings, they share traits making research unpredictable, ranging from difficulties building trust and lack of data to ethical dilemmas balancing field access against risks for participants or oneself. The panel offers a platform for exchanging experiences on navigating research under such conditions.
Drawing on Hungary, Russia, Georgia, and Serbia, we highlight specific uncertainties to deepen understanding and exchange strategies. Since most panelists research from the outside, we also critically reflect on our positionality and responsibilities as researchers.
Input 3
Uncertainty forms the core of research, as venturing into the unknown involves unpredictability and potential failure, aggravated by funding, erratic scientific agenda-setting, and broader political contexts. While research always entails maneuvering within heightened uncertainty, the panel examines the particularities of researching authoritarian contexts. Notwithstanding differences between authoritarian settings, they share traits making research unpredictable, ranging from difficulties building trust and lack of data to ethical dilemmas balancing field access against risks for participants or oneself. The panel offers a platform for exchanging experiences on navigating research under such conditions.
Ecologies
Proximity to local places and ecologies reshapes conventional research approaches and the ethical shifts they entail. Localities and situated contexts, such as exposed geographies, Indigenous sites and communities, or marginalized cultural topics become constitutive of research. A key question within the Ecologies track is how topical forms of knowledge that emerge outside of academia are transformed when they enter the university.
Oceanic Colour Practices: Negotiating Epistemic Agency and More-than-Human Labour
Colour from microalgae and cyanobacteria carries the material memory of the waters it has lived through. It bears witness to cohabitation, environmental stress and contamination.
Trained as a painter, my artistic practice and PhD research explore growing and harvesting colour from microalgae and cyanobacteria in experimental settings. This work becomes a site for rethinking natural-scientific knowledge practices by privileging the agency of these organisms over reproducibility or rigid protocols. Colour becomes both material and methodology: an ecological trace and multispecies storyteller. Drawing on feminist science and decolonial scholars, my work situates scientific knowledge alongside artistic, poetic and relational modes of engagement. I further wonder how the industrial scaling of microalgae and cyanobacteria farms, and the language built around it, normalise extractive practices. Through artworks, collaborative workshops and writing, I develop embodied, sensory methods that challenge disciplinary norms and explore more ecological, relational and ethical ways of knowing.
Governing the Return of Wolves: EU Environmental Research Funding, Human–Wildlife Conflict, and the Politics of Conservation from the EEC to the Age of Populism
Over the past fifty years, EU environmental research has played a key role in shaping biodiversity conservation. The return of the wolf (Canis lupus) across Europe, enabled by legal protection and programmes such as LIFE and Natura 2000, provides a revealing case for examining the politics of research. This paper analyses how EU funding has produced not only scientific knowledge but also governance models and political narratives around large carnivore conservation. Drawing on historical policy analysis and the concepts of “civilizing nature” (Wöbse) and state legibility (Scott), it argues that the wolf has become a governance object through monitoring, management, and coexistence strategies increasingly challenged by nationalist and populist critiques. The paper asks whether EU-funded environmental research can mediate conflicts over biodiversity or whether it risks reinforcing the political polarisation surrounding nature conservation.
Cement and Limestone: Toward Embodied Epistemologies Across Human and Nonhuman Plateaus
This presentation draws on my research-creation practice, which combines sensory ethnography and technologically mediated methods in order to explore how embodied knowledge emerges across human and non-human plateaus. In the multicultural area of Amerikis Square in central Athens, I collaborated closely with my interlocutors to co-create spatial and relational understandings through a methodology I developed called narratives-in-motion. Some of the research material was later transformed into an interactive audio walk located in the same neighborhood, inviting others to listen, move through it, and re-perform the emerging hybrid space. During an artistic-research residency on the island of Chios, I developed aepos: I found seashells on a plateau, a sound-based performative work that carries human and non-human presences across the limestone landscape of the Aepos mountainous terrain. In both works, I approach research as a practice of co-existence, care, and attention, and as a space in which knowledge emerges through embodied, situated, and shared encounters.
Volcanic Futures
Abstract to be announced.
Epistemologies
Research paradigms and practices operate as distinct cultural systems defined by their languages, norms, and premises, shaping what counts as valid knowledge. The Epistemologies track addresses the need to critically engage with and unlearn dominant frameworks, often based on privileged Western paradigms, through decolonial, queer, and feminist practices. It examines how disciplinary traditions, established canons, and knowledge regimes, as well as barriers between theoretical and practical approaches, can be opened up to multiple perspectives.
Practices
Research practices have always been diverse, even before practice-based research entered the university. Still, claims of epistemic and artistic validity through making, experimentation, and situated collaboration are contested, as are the growing expectations for quick solutions to complex global issues. This track examines current approaches to practice-based research, discussing their particularities, their transformative potential, and their capacity to renegotiate the relationship between researchers and society.
Institutions
The university remains a precarious yet vital site for the (re)production, discussion, and transmission of knowledge. While grounded in claims to universality, it is still shaped by differences, inequalities, and power relations that regulate access and participation. At the same time, academic freedoms – political as well as economic – are under attack. This track brings together current propositions of institutional critique to examine the boundaries and infrastructures of the university as formations that must be both defended and transformed.
Ecologies
Proximity to local places and ecologies reshapes conventional research approaches and the ethical shifts they entail. Localities and situated contexts, such as exposed geographies, Indigenous sites and communities, or marginalized cultural topics become constitutive of research. A key question within the Ecologies track is how topical forms of knowledge that emerge outside of academia are transformed when they enter the university.
Epistemologies
Research paradigms and practices operate as distinct cultural systems defined by their languages, norms, and premises, shaping what counts as valid knowledge. The Epistemologies track addresses the need to critically engage with and unlearn dominant frameworks, often based on privileged Western paradigms, through decolonial, queer, and feminist practices. It examines how disciplinary traditions, established canons, and knowledge regimes, as well as barriers between theoretical and practical approaches, can be opened up to multiple perspectives.
Practices
Research practices have always been diverse, even before practice-based research entered the university. Still, claims of epistemic and artistic validity through making, experimentation, and situated collaboration are contested, as are the growing expectations for quick solutions to complex global issues. This track examines current approaches to practice-based research, discussing their particularities, their transformative potential, and their capacity to renegotiate the relationship between researchers and society.
Politics of Feminist Research
Feminist research has real agency to make visible what can often be insidious structures of power, like laws and policies that exert immense influence in shaping the built environment; and in particular, the physical landscapes of reproductive healthcare of abortion clinics and birthing facilities in the United States. Since the repeal of Roe v Wade in 2022, with more states across the U.S. unabashedly hostile towards women and women’s healthcare, reproductive healthcare has become one of the primary sites where women’s rights are differentiated depending upon the geography of where one lives.
Research and advocacy in reproductive healthcare have become more challenging work, paralleling a woman’s oftentimes inability to access safe and science-based healthcare. Given these restrictions, politically focused research is under assault in the U.S., even more so if this research focuses on women. Architects are crucial but often, unexpected partners: abortion clinics need architectural expertise, lawyers need architects to help visualize space and interpret building codes, and healthcare providers need architects to design safe and supportive spaces.
Research in the Debris: Disrupting Architectural Paradigms Through Design Phenomenographies
This paper advances artistic and design-driven research as a dissident practice capable of unsettling the hegemonies governing architectural decision-making. Situated within industrial ruins of the former Eastern Bloc, it confronts the cultural amnesia that has rendered these sites politically inconvenient and institutionally invisible, places once inscribed with the utopian promises of collective futurity, now dissolving and at risk of being obliterated by predatory real estate practices.
Through hybridised phenomenographies (hand drawings, filmic overlays, and atmospheric vignettes), the research excavates submerged layers of grief and embodied experience that conventional methodologies suppress. Grounded in autoethnographic situatedness, it positions the researcher as an implicated subject rather than an external authority.
Design-driven inquiry can reclaim the ruin as a politically charged epistemic space, one where silenced histories are reactivated, and architecture is compelled, to listen before it builds.
Institutions
The university remains a precarious yet vital site for the (re)production, discussion, and transmission of knowledge. While grounded in claims to universality, it is still shaped by differences, inequalities, and power relations that regulate access and participation. At the same time, academic freedoms – political as well as economic – are under attack. This track brings together current propositions of institutional critique to examine the boundaries and infrastructures of the university as formations that must be both defended and transformed.
Archive, Broodthaers, Catalogue, Dockx
With their work Projet pour un livre. Projet pour un film, Nico Dockx and Helena Sidiropoulos realised in 2009 the production of an altered version of an unpublished catalogue to the exhibition Marcel Broodthaers. L’homme de lettres et la conquête de l’espace, which had taken place at the Palais des Beaux-Arts in Brussels from March 9 until June 10, 2001. The catalogue had not been published as a result of discussions with the rights holders concerning the permission to use the images of works and documents in the catalogue. While researching the institution’s archives in 2009, Dockx and Sidiropoulos rediscovered the model of this catalogue. Projet pour un livre. Projet pour un film is the result of their decision to publish the catalogue at last, or at least to produce a work of art that would testify to the existence of this unpublished book. Wit its large number of black non-images, their work looked like a visually loud protest against the fact that the rights holders had forbidden to use a lot of images. One could think of it as a Broodthaersian Open Letter accusing the excesses of the institution of copyright, the question being not whether the author is dead, but whether the author is dead long enough.
“Negative travel advice” from Collectors: issues of access in research
In this paper we examine issues of access in universities and cultural educational institutions, showing how institutional gatekeeping shapes who enters academic spaces and contributes to knowledge production. We adapt Martínez Colá’s mentoring model—Collector, Night Light, and Ally—to institutions to analyze how they include, exclude, or condition marginalized groups and non hegemonic knowledge sources. One case study examines museums with problematic collections, facing questions of restitution, repatriation, and repair, as oscillating between Collectors and Allies. Another explores research with Latin American communities in violent or officially “high risk” areas, where researchers positioned as Allies are constrained by blanket institutional policies. Together, these cases shed light on hegemonic and counter hegemonic frameworks shaping art and heritage research and teaching within European institutions.
Ecologies
Proximity to local places and ecologies reshapes conventional research approaches and the ethical shifts they entail. Localities and situated contexts, such as exposed geographies, Indigenous sites and communities, or marginalized cultural topics become constitutive of research. A key question within the Ecologies track is how topical forms of knowledge that emerge outside of academia are transformed when they enter the university.
Epistemologies
Research paradigms and practices operate as distinct cultural systems defined by their languages, norms, and premises, shaping what counts as valid knowledge. The Epistemologies track addresses the need to critically engage with and unlearn dominant frameworks, often based on privileged Western paradigms, through decolonial, queer, and feminist practices. It examines how disciplinary traditions, established canons, and knowledge regimes, as well as barriers between theoretical and practical approaches, can be opened up to multiple perspectives.
An inauthentically decolonial Southern subject, anxiously ascends and descends a stairway
Through simple, repeated acts of regression and progression, this multi-modal lecture-performance activates the iconic stairways of the Weimar Bauhaus while reflecting on the politics of Decolonial Theory. In a tangential register, it highlights the disturbing irony that in parts of the Global South, the emancipatory discourse of Decolonial Theory is increasingly harnessed to infrastructures of unfreedom. Drawing on speculative scenarios rooted in Abhishek’s longstanding interest in non-institutionalised forms of knowledge production, the performance also enacts the contradictions of representation at conferences where the Global North invites the Global South. In the present conjuncture, Decolonial Theory, despite its institutional capture, or perhaps because of it, is arguably a prevailing paradigm for critiquing the colonial legacy. But does this imply that a Southern researcher-artist should, almost by default, feel affiliated with its program of epistemic delinking from the West?
Ghost and Rigor: Militarized Transdisciplinarity and Affective Solidarity as Ethical Otherwise
This research traces the history of transdisciplinarity within the arts and humanities, starting from the co-option of visual and cultural research in US military operations and national defense during the Cold War. Positing that such a co-option exemplifies an emergent transdisciplinary impulse, it argues that, within this development, Third World culture was assimilated into a false alliance with Western epistemology that sustained the life-force of humanities institutions during the postwar period. Regarding this, the research pays particular attention to ethnography as a beyond-humanities research method within the field of Southeast Asian art history, specifically how this gesture further institutionalizes the militaristic aspect of transdisciplinarity. In response, it theorizes the notion of “ghostly transdisciplinarity,” which points to art writings and other forms of theoretical works across marginalized socio-cultural contexts, as a way to demilitarize knowledge production, challenge extractive (institutional) alliances, and reconstitute ethical transdisciplinarity that merits affective engagements.
Leak: The End of the Pipeline (2024)
Screening of Where Russia Ends (2024, Director: Oleksiy Radynski, Development: Philipp Goll & Oleksiy Radynski, Producer: Lyuba Knorozo). Introductory talks by Hito Steyerl and Oleksiy Radynski. Discussion moderated by Elena Vogman.
Special Operation (2025)
Screening of Special Operation (2025, Ukraine/Lithuania,65 min., Colour & Black/White, Director & Screenplay: Oleksiy Radynski, Editing: Taras Spivak, Sound Design: Vladimir Golovnitski, Producer: Lyuba Knorozok). Discussion with Oleksiy Radynski and Lyuba Knorozok moderated by Olexii Kuchanskyi.
►︎ Saturday, 7 November 2026
Practices
Research practices have always been diverse, even before practice-based research entered the university. Still, claims of epistemic and artistic validity through making, experimentation, and situated collaboration are contested, as are the growing expectations for quick solutions to complex global issues. This track examines current approaches to practice-based research, discussing their particularities, their transformative potential, and their capacity to renegotiate the relationship between researchers and society.
To Touch What Refuses Resolution
“To Touch What Refuses Resolution” is a 60-minute participatory workshop for researchers, artists, educators, and practitioners who want to work with the difficult politics of research through the body, the hand, and the collective room.
Grounded in Metabolising Through Making (MTM), the workshop invites participants to press, weave, tear, sound, and witness tension as material. Cicadas act as epistemic companions: creatures who spend years metabolising underground before emerging together to disrupt the dominant sonic field. Their rhythm becomes a way to think about slow transformation, hidden labour, collective emergence, and refusal.
Participants will move through MTM’s cycle of Orient, Enact, Witness, Action, engaging contradiction and discomfort through making. The workshop creates a shared space for feeling what research politics does in the body, and for asking how embodied practice can reconfigure the ways we know, act, and respond.
Guided Tour
Take a guided tour to the artworks presented at the XV International Bauhaus Colloquium. Talk to the artists present.
Institutions
The university remains a precarious yet vital site for the (re)production, discussion, and transmission of knowledge. While grounded in claims to universality, it is still shaped by differences, inequalities, and power relations that regulate access and participation. At the same time, academic freedoms – political as well as economic – are under attack. This track brings together current propositions of institutional critique to examine the boundaries and infrastructures of the university as formations that must be both defended and transformed.
The Secret Grant: Reclaiming Research Bureaucracy
How do research grant indicators (mis)shape the way research forms? How do research horizons make and unmake ‘transformative research’ and what are the ways of feeling transformative successes? This workshop will put pressure on the terms that shape who gets resources for research and how, in order to imagine research outcomes otherwise. We will open up a series of embodied activities and conversations that strive to reclaim and refuse ‘research grant indicators’ as bureaucratic instruments of collective for closure. We will explore tools and practices that instead put indicators in service of indicating practices of communal + mutual aid, collective and embodied research, pleasure-centered demands of and on the collective body so that a body politics of liberation would be possible. Moving from a queer-, trans*- and crip-informed practice that questions what it means to optimize time, or to gather ‘results’ — we will take each of the indicators of a success of a grant and play with them.
Tripping on Modernist Monuments: Walkshop
Abstract to be announced.
Ecologies
Proximity to local places and ecologies reshapes conventional research approaches and the ethical shifts they entail. Localities and situated contexts, such as exposed geographies, Indigenous sites and communities, or marginalized cultural topics become constitutive of research. A key question within the Ecologies track is how topical forms of knowledge that emerge outside of academia are transformed when they enter the university.
Desire, Dissidence, and Path-Making: Walking as Artistic Research
Walking always begins with a pull: a quiet impulse that aligns us toward an elsewhere. In urban contexts, this pull sometimes materializes as a trace, a desire path; those informal, crooked lines in the grass or gravel that reveal how people move through space differently from prescribed routes. This pull is expressed by a desire.
This contribution combines the format of presentation, drawing on the year-long program of artist-led walks titled Dissident Paths co-curated for nGbK, Berlin (2025-26), with a walk-based workshop. Through which we will explore desire and dissidence as forces shaping how bodies move, encounter one another, and imagine alternative possibilities for public space. We will examine how walking redirects attention, creates social, spatial, and epistemic relations that open spaces of access engagement, and alternative or unplanned uses of built environment, and therefore new knowledge.
Epistemologies
Research paradigms and practices operate as distinct cultural systems defined by their languages, norms, and premises, shaping what counts as valid knowledge. The Epistemologies track addresses the need to critically engage with and unlearn dominant frameworks, often based on privileged Western paradigms, through decolonial, queer, and feminist practices. It examines how disciplinary traditions, established canons, and knowledge regimes, as well as barriers between theoretical and practical approaches, can be opened up to multiple perspectives.
Abstract to be announced.
►︎ Installations and Exhibitions
Registration
All participants in the conference are required to register until 30 September 2026. Tickets are valid during all four days of the conference.
▶︎ Registration FormRegistration fees:
- ▶︎ Participants in professorial positions: € 120
- ▶︎ Participants in academic staff positions (below professorial level) and curators/artists with institutional funding: € 90
- ▶︎ Doctoral candidates without academic employment: € 60
- ▶︎ External students, independent scholars, and independent artistic practitioners without institutional funding: € 45
- ▶︎ Students of Bauhaus-Universität Weimar: € free of charge
Hotel room allotments valid until the end of August 2026 can be researched and booked:
▶︎ view availability and make a reservationSupporters
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