Research at universities is political, a fact made all the more evident during times of increasing social and political polarisation when politicians denounce universities as »enemies«. Such external attacks intersect with debates in academia itself, where research structures, purposes, and approaches are increasingly brought into question. The XV International Bauhaus Colloquium critically examines the politics that underlie, shape, or result from research. The interdisciplinary academic event provides a platform for exploring how research operates within and across infrastructures, epistemologies, power, and publics. Research politics manifest both in specific research projects and in the procedures and frameworks that define academic work as such. In addition to issues of access, representation, and ethics, the Colloquium addresses critical practices and highlights the ways in which research may both reinforce and challenge dominant hierarchies.
The fifteenth edition of the International Bauhaus Colloquium moves beyond its traditional focus on architectural theory and history to understand architecture as part of an extended field in which the arts, media, technologies, and society interact. The architectural perspective is integrated into contemporary questions of knowledge production, as well as the infrastructural and political conditions that shape it. As research is transforming rapidly through the effects of digital infrastructures and AI-trained knowledge production, the processes that are shifting its epistemological and institutional frameworks will be examined.
The Colloquium investigates research as a political practice operating in a contested field of historically specific forms of situatedness and shifting epistemologies, with specific attention paid to the role of architectural and artistic practices. In line with the Bauhaus tradition, it combines theoretical, aesthetic, and technical/empirical approaches to analyse and develop research politics in response to urgent questions within international discourse. Discussions are structured into four thematic tracks, each of which offers specific insights into the politics of research:
Track I: Practices examines current approaches to practice-based research, discussing their particularity, their transformative potential, and the capacity to renegotiate the relationship between researchers and society.
Track II: Institutions analyses political, economic, and spatial conditions of knowledge production. It brings together current propositions of institutional critique to examine the boundaries and infrastructures of the university as formations that must be both defended and transformed.
Track III: Ecologies recognises the role of localities and milieus, such as exposed geographies, Indigenous sites and communities, or marginalized cultural topics that become constitutive of research. It explores how proximity to local places and ecologies reshapes conventional research approaches and the ethical shifts they entail.
Track IV: Epistemologies addresses the need to critically engage with and unlearn dominant frameworks, often based on privileged Western paradigms, through decolonial, queer, and feminist practices. It examines how disciplinary traditions, established canons, and knowledge regimes, as well as barriers between theoretical and practical approaches, can be opened up to multiple perspectives.
Keynotes
Samia Henni
Samia Henni is a historian and an exhibition maker of the built, destroyed, and imagined environments. Her work addresses questions of colonization, wars, resource extraction, deserts, forced displacement, and gender dynamics. She is the author of Colonial Toxicity: Rehearsing French Radioactive Architecture in the Sahara (EN, 2024, 2025; FR, 2026) and Architecture of Counterrevolution: The French Army in Northern Algeria (En, 2017, 2022; FR, 2019) and editor of War Zones (2018) and Deserts are not Empty (EN, 2022, 2024, IT, 2024). Performing Colonial Toxicity is her most recent traveling exhibition in collaboration with If I Can’t Dance I Don’t Want to be Part of Your Revolution and Framer Framed in Amsterdam. Currently, she teaches at McGill University’s
Peter Guo-hua Fu School of Architecture and had co-chaired (2020–2025) the University Seminar
„Beyond France“ at Columbia University. Samia received her Ph.D. (with distinction, ETH Medal) in
the history and theory of architecture from the gta Institute, ETH Zurich, Switzerland.
Samia Henni is a historian and an exhibition maker of the built, destroyed, and imagined environments. Her work addresses questions of colonization, wars, resource extraction, deserts, forced displacement, and gender dynamics. She is the author of Colonial Toxicity: Rehearsing French Radioactive Architecture in the Sahara (EN, 2024, 2025; FR, 2026) and Architecture of Counterrevolution: The French Army in Northern Algeria (En, 2017, 2022; FR, 2019) and editor of War Zones (2018) and Deserts are not Empty (EN, 2022, 2024, IT, 2024). Performing Colonial Toxicity is her most recent traveling exhibition in collaboration with If I Can’t Dance I Don’t Want to be Part of Your Revolution and Framer Framed in Amsterdam. Currently, she teaches at McGill University’s
Peter Guo-hua Fu School of Architecture and had co-chaired (2020–2025) the University Seminar
„Beyond France“ at Columbia University. Samia received her Ph.D. (with distinction, ETH Medal) in
the history and theory of architecture from the gta Institute, ETH Zurich, Switzerland.
Matteo Pasquinelli
Matteo Pasquinelli‘s research focuses on the intersection of philosophy of mind and language, political economy, and the techniques of automation such as artificial intelligence. He ist he author of The Eye of the Master: A Social History of Artificial Intelligence (2023) and editor of Alleys of Your Mind: Augmented Intelligence and Its Traumas (2015). Currently, Matteo is Associate Professor in Philosophy of Science at the Department of Philosophy and Cultural Heritage of Ca’ Foscari University in Venice where he is coordinating the ERC project AIMODELS.
Matteo Pasquinelli‘s research focuses on the intersection of philosophy of mind and language, political economy, and the techniques of automation such as artificial intelligence. He ist he author of The Eye of the Master: A Social History of Artificial Intelligence (2023) and editor of Alleys of Your Mind: Augmented Intelligence and Its Traumas (2015). Currently, Matteo is Associate Professor in Philosophy of Science at the Department of Philosophy and Cultural Heritage of Ca’ Foscari University in Venice where he is coordinating the ERC project AIMODELS.
Oleksiy Radynski
Oleksiy Radynski is a filmmaker and writer based in Kyiv. His films experiment with documentary forms and practices of political cinema. They were screened at film festivals and exhibitions worldwide including the Berlinale, International Film Festival Rotterdam and Kurzfilmtage Oberhausen, where he won the Grand Prix in 2023. His texts were published by e-flux journal, The Atlantic and Die Tageszeitung, among other publications. He is a co-founder of the filmmaking collective Kinotron Group.
Oleksiy Radynski is a filmmaker and writer based in Kyiv. His films experiment with documentary forms and practices of political cinema. They were screened at film festivals and exhibitions worldwide including the Berlinale, International Film Festival Rotterdam and Kurzfilmtage Oberhausen, where he won the Grand Prix in 2023. His texts were published by e-flux journal, The Atlantic and Die Tageszeitung, among other publications. He is a co-founder of the filmmaking collective Kinotron Group.
Hito Steyerl
Hito Steyerl is a filmmaker and writer based in Berlin. Her work addresses media, technology, and the
global circulation of images through video installations, digital environments, and writing. She is
Professor for Emergent Digital Media at Munich Art Academy. Her research platform at AdbK Munich,
run with Francis Hunger, is at www.carrier-bag.net. She is represented by Esther Schipper (Berlin) and
Andrew Kreps Gallery (New York).
Hito Steyerl is a filmmaker and writer based in Berlin. Her work addresses media, technology, and the
global circulation of images through video installations, digital environments, and writing. She is
Professor for Emergent Digital Media at Munich Art Academy. Her research platform at AdbK Munich,
run with Francis Hunger, is at www.carrier-bag.net. She is represented by Esther Schipper (Berlin) and
Andrew Kreps Gallery (New York).
Registration
All participants in the conference are required to register until 30 September 2026. Tickets are valid during all four days of the conference.
▶︎ Registration FormRegistration fees:
- ▶︎ Participants in professorial positions: € 120
- ▶︎ Participants in academic staff positions (below professorial level) and curators/artists with institutional funding: € 90
- ▶︎ Doctoral candidates without academic employment: € 60
- ▶︎ External students, independent scholars, and independent artistic practitioners without institutional funding: € 45
- ▶︎ Students of Bauhaus-Universität Weimar: € free of charge
Hotel room allotments valid until the end of August 2026 can be researched and booked:
▶︎ view availability and make a reservationSponsors
–